MAS-100004: CLAY PIPE (SMOKING)
All three white pipes here are complete, and are of the short or 'cutty' form. Two carry relief moulded decoration featuring Masonic emblems (incorporating the crossed compass and square), while the third is in the form of a male head, wearing a thin-brimmed cap, possibly a military figure. Pipes with Masonic emblems were made from the mid-18th century in the UK, but remained popular into the early 20th century, while the male head falls into a group of more elaborate decorative pipes with bowls moulded in the form of human heads and animals, common in the late 19th and early 20th centuries. Such decorative pipes would have been commonly exported. Tobacco was grown in West Africa from the 17th century; the inhabitants made their own pipes, the manufacture evolving from that of pottery vessels, but they also imported some through the Atlantic trade (Knight 2010, 67). The inclusion here of the Masonic pipes is of interest; their use was not necessarily confined to Freemasons, but it is likely that they would have been of greater significance to smokers for whom the symbols they bore had meaning (White and Beaudry 2009, 220).
Stable URI: https://marinefinds.org.uk/database/artefacts/record/id/4

MAS-1F5444: BEAD
Twenty-six long drawn beads with a single cylindrical central perforation extending along the length of the bead. Varying in size, the beads measure approximately 25 mm in length and 8 mm in diameter, and some signs of wear are visible. The beads all have an opaque white core, cased in opaque red, cased in opaque white and finally cased in translucent blue on the exterior. The inner layers form a star pattern. The diameter cross-section is roughly cylindrical in the centre, whilst at the upper and lower ends the cross-section changes to become faceted in an octagonal shape, allowing the layers to be seen from the side. These polychrome beads are of a type known as 'chevron' or 'rosetta' beads, which for several hundred years have been a speciality of the Venetian glassmakers. First appearing in the late 15th century, they were made from a short section of drawn-out hollow cane in a translucent greenish glass, coated with six further layers of white, translucent greenish, red and blue glass, and given a star-like cross-section by pressing in a 12-pointed corrugated mould; the canes were then cut into short lengths and the ends ground to expose the inner layers. Later beads may have fewer layers; they are still being made in Venice today, albeit in very small quantities. These beads can reach up to 90 mm in length and 60 mm in diameter, however the more common size is 20-30 mm in length and 10 mm in diameter. In the UK, chevron beads usually belong to 16th or 17th century contexts, but they were also made in quantity for export to West Africa and the Americas, and the peak of production came during the 19th and early 20th centuries. These later beads were usually of four and six layers, in red, blue and white. Chevron beads are still highly valued in present-day West Africa, where they continue to be worn for prestige and ceremonial purposes, and are occasionally buried with the dead.
Stable URI: https://marinefinds.org.uk/database/artefacts/record/id/3

Pottery sherd: a rim sherd from a Post Medieval glazed redware flanged bowl with a horizontal looped side handle. The sherd dates to the 17th/18th century. The manufacture and origin of the sherd is unknown due to the mass production of this type of kitchenware.
Stable URI: https://marinefinds.org.uk/database/artefacts/record/id/20

MAS-D100038: BOTTLE
Four glass bottles that are all square, mould-blown 'case bottles', with a typical tapering profile. The square shape enabled them to be packed more efficiently in a case than round bottles, and the tapering profile stopped them from sticking when removed from the case. These were used for gin (although undoubtedly also sometimes for other spirits or wine). Square case bottles were made in Europe from the middle of the 17th century, but the tapering form seems to have become more common in the 19th century. From the 1880s the bottles were machine made, and the rims properly finished - these examples therefore probably date to the 19th century, but pre-dating the 1880s.

MAS-D100051: DRINKING VESSEL
One ivy leaf patterned teacup marked with the Davenport logo. This transfer printed refined ware (either pearlware or whiteware) cup dates to the 19th century. John Davenport acquired his own pottery in 1794, initially producing cream coloured blue-printed earthernware. Within 12 years the company's reputation and the quality of its porcelain was such that the future King George IV was ordering services from the company. John Davenport retired in 1830 and the company was continued to be run by his sons and their children until 1887 when the factory closed and the company was acquired by Burleigh Pottery.

MAS-D100039: CANDLESTICK
Two mass produced glass candlesticks; one blue and one green that is badly damaged presumably having spent at least a century underwater. No further information is known about them at this time.

MAS-O100041: CANDLESTICK
One green glass candlestick measuring 5.5 inches high and 3.5 inches wide. This candlestick is thought to date to the 19th century.

MAS-O100053: BOTTLE
One gin bottle measuring 11 inches high by 3 1/2 inches wide. This square, mould-blown 'case bottle', has the typical tapering profile. The square shape enabled the bottles to be packed more efficiently in a case than round bottles, and the tapering profile stops them from sticking when removed from the case. They were used for gin (although undoubtedly also sometimes for other spirits or wine). Square case bottles were made in Europe from the middle of the 17th century, but the tapering form seems to have become more common in the 19th century. From the 1880s the bottles were machine made, and the rims properly finished - this examples therefore probably date to the 19th century, but pre-dating the 1880s.

Two stoneware jars with feldspathic glaze over yellow ochre dip on upper part of vessels. One carries the stamped mark of the manufacturer: 'Doulton & Watts' Lambeth Pottery'. The firm of Doulton and Watts was established in 1820 as Watts and Doulton, becoming Doulton and Watts by 1826 (Tyler et al. 2005, 12). This particular stamp was used until 1858, when John Watts died, after which the name Doulton appeared alone (Eyles and Irvine 2002, Appendix II), although the company name of Doulton and Watts was used in trade catalogues until at least 1873. Feldspathic glazes were introduced in the 1830s. The two jars are of similar form, although differing slightly in size. This particular jar form is known as an 'export jam jar' in the Doulton & Watts catalogue for 1873, made in sizes from ½ lb to 6 lb (Tyler et al. 2005, fig. 54). The narrow mouth would either have held a bung of some kind, or have been fitted with a patent airtight closure.

MAS-D100047: BOWL
Seven Chinese style bowls most likely to be made of porcelain. There is a parallel for the base mark that looks as though it's imitating Chinese porcelain marks. This is the mark of Charles Meigh of Hanley, Staffordshire, operating between 1835-49, but it was also used by the preceding company, J. Meigh and Son (c.1805-34) and the succeeding company, Charles Meigh and Son (1851-61) (Godden 1964, 428-429). The CM mark in the '..CASTER' stamp suggests that it's Charles Meigh, which puts the date just before the wreck date.

Eleven teacups measuring 4 inches x 3 inches in size. The cups have a Chinese style design with a light grey colour pattern, and appear to be made of porcelain (although this has not been confirmed). Similar in decorative style to the bowls recorded as MAS-D100047, it is assumed that these teacups were made by either Charles Meigh of Hanley, Staffordshire (1835-49), the preceding company, J. Meigh and Son (c.1805-34), or the succeeding company, Charles Meigh and Son (1851-61) (Godden 1964, 428-429).

Four milk jugs with a Chinese style design and a light grey coloured pattern and appear to be made of porcelain (although this has not been confirmed). Similar in decorative style to the bowls recorded as MAS-D100047, it is assumed that the these milk jugs were made by either Charles Meigh of Hanley, Staffordshire (1835-49), the preceding company, J. Meigh and Son (c.1805-34), or the succeeding company, Charles Meigh and Son (1851-61) (Godden 1964, 428-429).

MAS-D100063: BOTTLE
Five olive green case gin bottles with a square tapered body and four dots on base. Some of the earliest spirit bottles were square in cross section and generally designed to contain gin, though undoubtedly contained various types of alcohol and possibly wine. Commonly called "case gin" or "taper gin" bottles since they would pack more efficiently to a case (six to 24 bottles) than round bottles. Case gin bottles are square with a more or less distinct taper inwards from the shoulder to the base. The neck is very short to almost non-existent with the finishes varying from a laid-on ring, flared, mineral finish, oil, and even a blob. This shape and style of bottle originated, and was commonly made, in Europe at least as early as the mid-17th century (https://sha.org/bottle/liquor.htm#CaseGinbottles accessed October 2017). These examples do not exhibit the bevelled corners generally seen on bottles of the 1860s or later and may therefore be earlier 19th century.

MAS-D100079: CLAY PIPE (SMOKING)
All three pipes here are complete and are of the short or 'cutty' form. Two of the pipes measure 100 mm and have bowls in the form of a male head, wearing a thin-brimmed cap, while the third, which measures 120 mm, has a simple impression pattern around the outside of the rim. The male head on two of the pipes has previously been thought to represent a military figure or the head of a French soldier. They fall into a group of more elaborate decorative pipes with bowls moulded in the form of human heads and animals, that were common in the late 19th and early 20th centuries. Such decorative pipes would have been commonly exported. Tobacco was grown in West Africa from the 17th century, where the inhabitants made their own pipes. The manufacture evolved from that of pottery vessels, but they also imported some through the Atlantic trade (Knight 2010, 67), which is likely what these pipes represent.

MAS-D100080: PERFUME BOTTLE
Two clear glass perfume bottles. One has a square tapered body and measures 85 mm by 35 mm while the other measures 95 mm by 40 mm and has a round body complete with a round stopper and still contains yellow liquid. Perfume bottles were part of the vessel's cargo and many other bottles have been salvaged from the wreck by divers during recent years. Their form would be entirely consistent with a date around the turn of the 19th/20th century.

MAS-D100071: BOTTLE
Three aqua coloured glass bottles with tooled lips; for foodstuffs or other household goods; probably dating to the 19th century. These bottles have a double ring also known as a double collar, double bead, double lip, Davis-type, stacked ring, bead lip with a ring, round band lower flared, broad round collar with lower bevel, inverted double ring, citrate of magnesia finish, double roll collar and stacked ring. This two-part finish is composed of two connected 'rings' - usually with a thicker and slightly wider variably rounded ring at the top of the finish with a thinner and narrower variably rounded to flat ring below. Other variations can have either or both rings somewhat or totally flattened on outside, which is similar to the three bottles recorded here. This popular finish was used on many different bottle types but was most common on a wide array of medicines, many varieties of liquor flasks and various sauces. Between about 1840 and the 1920s, and particularly between 1850 and 1910, this style of finish was one of the most popular and functional finishes used. It can be found on both mouth-blown and machine-made bottles. The lips or double ring on the bottle seem to be a tooled lip which means the lip was formed in the mould itself rather than applied to the bottle separately. The popularity of this finish was probably a combination of corking strength and relative ease of manufacturing (Society for Historical Archaeology webpage, accessed September 2017).

MAS-D100068: WINE BOTTLE
Two green glass wine bottles that appear to have the flat band-like collar around the rim which is typical of Continental (particularly French) wine bottles; the type appeared around the middle of the 19th century. This particular shape was - and still is - referred to as a 'hock' or Rhine wine and was one of the three dominant styles of wine bottles that bridge the time from at least the mid-19th century to the present day. Hock wine bottles are of German or French origin and during the 19th century, typically contained both red and white Rhine and Mosel wines. The distinctive shape of these bottles is typified by being tall and slender with no sharp break where the body merges into the shoulder and the shoulder becomes the neck. They were typically free-blown or dip moulded, often exhibiting pontil scars where the glass was broken away from the rod. Hock wine bottles from the 19th and early 20th centuries are most often seen in shades of olive green or amber, but were produced commonly in a wide array of other colours (Society for Historical Archaeology webpage, accessed Sept 2017).

Six stoneware seltzer bottles, of a type used to carry mineral water from various Continental (mainly German) spas. The term 'seltzer' takes its name from the town of Selters in the lower Rhineland, one of the original producers of effervescent mineral waters. This cylindrical bottle type was used from the early 19th century through to the First World War. These types of bottles were produced by the specialist potters known as Krugbacker, or pot bakers, in the Westerwald region of Germany. These bottles, which changed little throughout the 19th century, were slender and cylindrical and colored reddish brown with straight, vertical sides. Bottles were stamped with marks indicating the bottling company, the jug baker's mark, the well number from which they were filled, and the town from which they were shipped (NMSC Archaeology & Museum Blog webpage, accessed September 2017).

Four stoneware bottles (three large and one smaller) that were probably used for beer, ale, stout or porter. Stoneware bottles provided the ultimate in protection from the detrimental effects of light but were very heavy. They were produced in Britain in the 1800s and many bottles found in the United States were even imported from here. All of these bottles have a feldspathic glaze over an ochre dip on the upper parts of the bottle giving them a darker colour on top. Feldspars (natural rocks of aluminosilicates) are used in stoneware and porcelain glazes because they fuse only at high temperatures. The feldspathic glaze dates the bottles to the 1830s or later while stoneware bottles were more or less superseded by glass by the first decade of the 20th century.

One Hamilton bottle also known as a torpedo or egg bottle. These bottles are named after their English inventor, William Francis Hamilton who took out a patent in 1809 for a method of bottling soda and other mineral waters, involving ovate bottles (although use of ovate bottle probably pre-dated his patent by at least 20 years). These bottles became common in the 1840s when the manufacturing of mineral water became very popular. Before this date, carbonated water was only sold on a small scale. The bottle was invented as a way of keeping the gas in fizzy drinks. The pointed base meant that the cork or stopper was always airtight as it was always wet and swollen due to being laid on its side (Dale 2012). A Swiss chemist, Jacob Schwepper, set up a chemist's shop in London and was selling the newly invited artificial fizzy spring water known as aerated water in the early years of the 19th century, and was an early user of the Hamilton bottles to keep in schweppervescence. However, bottles with a pointed base were difficult to transport and could not be stood upright (Dale 2012). Common use of ovate bottles runs from the 1830s through to the end of the century.

MAS-D100074: INK BOTTLE
A collection of four ink bottles; one large and three small. The larger stoneware ink bottle displays a pourer on the rim and is glazed with a feldspathic glaze. This type of ink bottle was introduced in the 1860s and were superseded by glass bottles by the first decade of the 20th century. Cylindrical stoneware ink bottles were made in England in large quantities throughout the Victorian era. The bottles varied widely in size and were not all brown. The larger or master bottles with a pouring lip brown bottles were commonly used for ink. The pouring spout would be used to distribute the ink in to smaller wells (Hume 2001). Of the three smaller stoneware ink bottles, two are glazed with a feldspathic glaze. This type of ink bottle was introduced in the mid-19th century and were superseded by glass bottles by the first decade of the 20th century. Small ink bottles or wells were usually no more than four inches high and did not have a pouring spout like the master bottles as they were intended to be dipped into (Hume 2001). These ink bottles came in two main varieties; very squat cinders or wide-based cones.

MAS-D100078: EGG CUP
One egg cup made of a refined whiteware.The term 'whiteware' is used in historical archaeology to denote refined ceramics with a whiter and denser body than pearlware that generally postdates c.1830. Whiteware is a class of ceramic products that include porcelain and china. They are usually, but not necessarily white and consist typically of clays, feldspar, potter's flint, and whiting (calcium carbonate). It is not until the Victorian era that eggcups were mass marketed and regularly offered with dinnerware services. Companies, like Wedgwood and Haviland, produced eggcups and decorated them in the styles of their bestselling china patterns although the example recorded here appears to be undecorated. It is thought that this example may date to the 19th or 20th century.

MAS-D100076: ROUNDED BOWL
Six small convex bowls that may have also functioned as cups or tea bowls. All the bowls are made of a refined whiteware and three of them display a hand painted decoration.The term 'whiteware' is used in historical archaeology to denote refined ceramics with a whiter and denser body than pearlware that generally postdates c.1830. Whiteware is a class of ceramic products that include porcelain and china. They are usually, but not necessarily, white and consist typically of clays, feldspar, potter's flint, and whiting (calcium carbonate). It is thought that these examples may be tea wares dating to the 19th or 20th century.

A collection of four stoneware ginger beer bottles covered with a feldpathic glaze and stamped with 'A Phillips Victoria VI'. These bottles relate to Alexander Phillips of Vancouver Island, British Columbia, whose business ran from 1858. In 1879, his son became a partner in the business after which time the bottles are stamped 'A Phillips & Son' (B.C. & Vancouver Island - Bottles, Antiques & Collectibles, accessed November 2017). These stoneware ginger beer bottles were produced in Britain by the Doulton Lambeth Company. 'VI' stood for the crown colony of Vancouver Island. After the colonies were combined in 1866, most companies would switch to using BC or British Columbia. However, the bottles depicting 'VI' would still be used, as special orders for bottles like these could take months, if not more than a year, to reach the new colony, meaning that existing bottles were often recycled (Royal B.C. Museum Learning Portal, accessed November 2017).

A collection of five bottles comprising two full-size glass bottles, one squat cylindrical glass bottle, one small clear bottle, and one stoneware bottle. All the bottles are believed to be of nineteenth and twentieth century type, although it is difficult to date all but the stoneware bottle. The two full-size glass bottles are thought to be either wine or beer bottles. If the bottles have kicked bases, it would indicate a wine bottle, while a flat base would indicate a beer bottle. The squat cylindrical glass bottle was thought to be a port bottle, however if the base is flat, this could also be another example of a beer bottle. The small clear bottle with a long narrow neck is thought to have been used for foodstuffs, possibly a condiment of some sort. ​The ginger beer stoneware bottle is covered with a feldpathic glaze and stamped with 'A Phillips Victoria VI'. This bottle relates to Alexander Phillips of Vancouver Island, British Columbia, whose business ran from 1858. In 1879, his son became a partner in the business after which time the bottles are stamped 'A Phillips & Son' (B.C. & Vancouver Island - Bottles, Antiques & Collectables, accessed November 2017). This stoneware ginger beer bottle was produced in Britain by the Doulton Lambeth Company. 'VI' stands for the crown colony of Vancouver Island. After the colonies were combined in 1866, most companies would switch to using BC or British Columbia. However, the bottles depicting 'VI' would still be used, as special orders for bottles like these could take months, if not more than a year, to reach the new colony, meaning that existing bottles were often recycled (Royal B.C. Museum Learning Portal, accessed November 2017).

MAS-D100085: CLAY PIPE (SMOKING)
A selection of seven clay pipes. Two of the pipes are of 'Irish' type (Atkinson and Oswald 1969, type 31, dated post-1840), with spurs and milled bowl rims, and the remaining five are of a spur-less form copying the briar pipe (ibid., type 30, dated c. 1850-1910). All of the clay pipes are 'cutty' (short) pipes. The spur-less examples are all stamped with the mark 'H B W Russell Co.'. This appears to be the mark of an agent or retailer rather than the pipe manufacturer (as is more usual). H. B. W. Russell may have a connection with Liverpool - pipes stamped 'HBW Russell of Liverpool' have been found in Ghana (Basford 2012), but the company also had a base in Cape Town (Micots 2010).

MAS-D100087: DOMED LID
One ceramic serving dish lid made of a refined whiteware with transfer-printed design in red.The term 'whiteware' is used in historical archaeology to denote refined ceramics with a whiter and denser body than pearlware that generally postdates c. 1830. Whiteware is a class of ceramic products that include porcelain and china. They are usually, but not necessarily white and consist typically of clays, feldspar, potter's flint, and whiting (calcium carbonate).

Three cylindrical glass bottles. The two larger bottles are full size wine bottles. One is of the 'Burgundy' type and is most likely Continental. The half-size wine bottle, originally thought to be a champagne bottle, also has a Continental style neck. The Continental style neck appears around the middle of the 19th century (Dumbrell 1983). All are of nineteenth or twentieth century type.

Two case gin bottles. Some of the earliest liquor bottles were square in cross section and generally designed to contain gin though undoubtedly contained various types of liquor and possibly wine. Commonly called 'case gin' or 'taper gin' bottles since they would pack more efficiently in a case (6 to 24 bottles) than round bottles. Case gin bottles are square with a distinct taper inwards from the shoulder to the base. The neck is very short to almost non-existent with the finishes varying from a laid-on ring, flared, mineral finish, oil, and even a blob. This shape and style of bottle originated in, and was commonly made in, Europe at least as early as the mid-17th century. These examples do not exhibit the bevelled corners generally seen on bottles of the 1860s or later (Historic Glass Bottle Identification & Information Website, accessed November 2017), and may therefore be earlier 19th century.

MAS-D100115: CARTRIDGE
Images of this find were sent to Trevor Parker of the Ordnance Society. He confirmed that these three shell cases belong to a six-pounder Hotchkiss gun. This particular type of gun was introduced in 1884 for use against torpedo boats. They were used during First World War on the Arethusa and early 'C' class cruisers and a few submarines as well as on Monitors M.15 through M.33. Originally French in origin, they were introduced to Britain in 1886 (Tucker 2013). Many were subsequently used as sub-calibre and saluting guns which meant that they were still available in 1939 (Naval Weapons, Naval Technology and Naval reunions webpage, accessed September 2017). Although these cartridges are empty, there is a good chance that their primers are live.The evidence for this is that they all have their primer protectors in place.These are three-legged covers that clip over the base and have a domed area in the middle that sits over the primer in the middle of the case bottom, to prevent accidental striking of the primer before it's loaded (War Office 2003). The edges of these clips are visible on all three cases and would have been removed before firing. This raises the question of where the shells have gone if they were not fired. The shells would have been held firmly in place therefore it has been suggested that these shell cases are of some age, dating back to the early 1900s, shortly after this type of gun appeared and that the actual shells have rusted away completely.

MAS-D100138: CONTAINERS
Two shards of crockery with makers mark present. The stamp is made up of letters "H A P A G" and a stylised admiralty anchor which has a wooden stock behind a shield. "H.A.P. A.G" refers to The Hamburg Amerikanische Packetfahrt Aktien Gesellschaft; a German shipping company that operated from 1847 until 1970. The stamps would have been on the base of the corckery therefore it is not clear whether these pieces would have belonged to bowls or plates when they were in use. The shards are white, with dark flecked inclusions and yellowish patches. It is more than likely that these pieces were part of the vessel's everyday tableware.

MAS-D100146: UNIDENTIFIED OBJECT
Find consists of an ornate metal piece, bearing a flyr de lys type of design above a solid bar, presumably used for mounting. No dimensions were given, though it is suggested to be made from lead and H shaped, the finder described it as "part of a fireguard from the ship room". This material type would seem unsuitable for such a purpose, therefore it is still unclear what the purpose of this object is, although it is generally accepted that it is a decorative object of some sort.

MAS-D100173: CLOCK
This record refers to the clock parts recovered as part of a group of finds. The finder described the items as 6 clock parts, the square glass from the clock face and the copper clock face from a grandfather clock, which suggests these finds represent parts of two separate clocks. Three of the clock parts, manufactured in a copper alloy, are circular and bear teeth around their circumference indicating they are part of the clockwork mechanism. Two other parts, also in copper alloy, are circular but without evidence of teeth. One has three screw holes arranged around a central circular aperture and a ridge running around its circumference. The verdigris corrosion on this item only affects one half of the object, suggesting that it has been partially protected whilst on the seabed. The remaining item is considerably more corroded, though it still appears to be made from a copper alloy. It comprises a hollow circle with a band dividing the central aperture in equal halves, opposite the end of this band are two circular fixing points with screw holes attached to the outside central circular element. The central band has a square hole in its centre, which is unlikely to be much more than 5 mm across. There is an additional element that obscures the upper half of the central circular element which cannot be accurately described from the object. The sixth clock part described by the finder is a flat copper alloy plate with a minimum of 18 holes drilled into it in addition to two square, one rectangular and one open rectangular aperture/s. At the top of the item is what appears to be a latch or clip. This object appears to be part of the mounting for the mechanism, and several of the drilled holes bear the shadows of where bolts and screws would have been attached. Most notably though is the inscription S Thomas, Thomaston C, US which can be observed. This refers to the manufacturer of the time piece, the Seth Thomas Clock Company, details of which are described in the next section. A square piece of glass is described by the finder as being the clock face associated with the clock parts described above. Consultation online with examples of clocks manufactured by S Thomas support this use for the glass, as some of their models do have square faces. The final object relating to clocks is a large oval ring of copper alloy which is described by the finder as the clock face from a grandfather clock. Its size, in comparison to the glass face, would certainly suggest it is from a different larger time piece. To the bottom right of the photograph it is possible to observe a hinge on the outside of the ring, whilst diametrically opposite a possible catch can be seen. These features suggest an opening element, presumably holding an oval glass clock face, may have attached to the recovered item. No other diagnostic features are immediately apparent from the photo provided.

MAS-D100174: CUTLERY
This record refers to the handle of a metal spoon or fork included within this group of finds. The diagnostic end of the piece is broken and therefore is uncertain whether this is a fork or spoon, and a lack of measurements precludes determining whether this is a tea or desert size in terms of spoon , or cake or main course size of fork. The fabric of the item, though slightly coroded, has a yellowish colour which may indicate gold or gold plating has been used in its manufacture. Alternatively, given the verdigris colour of the corrosion, may have been constructed in a copper alloy or have had silver plating which can also corrode to a similar colour. There may be a hallmark or makers mark stamped on the back of the object that may shed more light on where it was manufactured. The date of this item is given by the wreck from which it was recovered, which sank in 1878.

MAS-D100175: SHIP FITTINGS
Two brass deck water filler plates and one ceramic door number (45). The water filler plates are 150 mm in diameter and approximately 100 mm thick. They are both heavily degraded and concreted, distorting their 'mushroom-shaped' original form. It appears they have screws running through the wider top surface and hanging down below next to the tinner plug interior. The screws are approximately 50 mm long and 5 mm in diameter. This type of ships fiitting is used to provide an access point by which to fill water tanks on a vessel and are common on many vessels, from pleasure craft to commercial vessels, up until the present. A hole would be drilled through the deck to accomodate the tube and the outer face of the plate would be flush with the deck, the central cap could then be unscrewed to allow a water pipe to be inserted and the tank filled. The plates are manufactured in a material, such as brass or stainless steel, is resistant to corrosion from sea water thereby protecting the rest of the pipework which would connect the pipe to the tank itself fitted lowr in the vessel. The ceramic door number is 50 mm in diameter, and in fair condition. The number '45' has faded, and the white ceramic has been stained yellow in places. Near the edges either side of the number there are two holes roughly 3.5 mm in diameter, used to secure the number plate in place. The exact use for this item is difficult to determine, as it could be cargo or more likely ship fittings. It may correspond to cabin door numbers, crew lockers or the like, its high quality finish suggests that it is unlikely to be part of the crew or operating areas of the vessel and therefore probably relates to the accomodation of the 100 or more passengers the vessel could carry.

MAS-D100191: COIN
This find comprises of a single gold coin from the USA with a value of $10. This 1847 minted coin was created for standard circulation and measures 27 mm in diameter with a weight of 16.72 grammes, the coin is minted in an alloy of 90% gold and 10% copper. It is of a type known as a Coronet Head - Eagle, based on the depictions on each face. The head side shows a side profile of lady liberty wearing a coront inscribed with the word "LIBERTY", the obverse bearing a spread eagle with a crest upon it and the words "UNITED STATES OF AMERICA TEN D." inscribed around the circumference of the coin. The edge of the coin is finished with a pattern known as reeding. A total of 862,258 of these coins were minted in 1847 and these are considered to be of high value due to their rarity. Another batch of coins was produced in the same year but bear the letter O below the eagle on the obverse face (https://en.numista.com/catalogue/pieces16125.html accessed 10 March 2020). The engraving of the master coin was carried out by a Christian Gobrecht and the coins were minted in Philadelphia accessed 10 March 2020). It is not clear why the SS Pomerania was carrying such a coin, though the vessel carried passengers between Europe and the United States. It may have belonged to a passenger, although as the vessel was en route to the USA this would have required changing currency prior to departure. Alternatively it may have belonged to a crew member or the vessel itself for purchasing supplies and the like whilst in US ports.

MAS-D100192: PERSONAL ACCESSORY
One gold T piece to believe part of a watch chain. These pieces were used to fasten the watch chain to an item of clothing, most often a wasitcoat. The T piece has a rounded embossing in the centre of the strip, with a small ring attached at this point for attaching the piece to a chain. The right end of the piece has a single ringed pattern shortly before terminating in a straight clean end. The left side of the piece has steps from the thicker piece to a thinner section extruding out a short distance. Given the date of sinking of the vessel from which it was recovered this item can reliably be dated to the middle of the 19th century.

MAS-D100194: BOWL
One complete round bowl with a diameter of 241.3 mm and one part of a broken plate, both displaying the markers mark. Both pieces of ceramics have dark coloured decorative bands running around the outside and inside rim and have fractal cracks present. The white ceramic also has brown blemishes in places, but overall is in fair condition. The symbol crest in the centre of the bowl is a shield with "H.A.P. A.G" inscribed, overlying an anchor. "H.A.P. A.G" refers to The Hamburg Amerikanische Packetfahrt Aktien Gesellschaft; a German shipping company that operated from 1847 until 1970. It is more than likely that these pieces were part of the vessel's everyday tableware.

MAS-D100196: CLAY PIPE (SMOKING)
Five small smoking pipes that are complete, four small smoking pipes that are broken, one large smoking pipe that is complete, six large smoking pipe that are broken. The pipes are mainly derived from two different styles: the long-stemmed style and the short-stemmed. The longer-stemmed bears no decoration or cartouche, along with absence of heel. The bowl is large, owing perhaps to the fall in tobacco prices in the 19th century and would have most likely been a cheap item. The shorter-stemmed pipes display ornate decoration on the bowl, in the form of a hatted head, and are made from darker clay. The bowls are at a sharper angle to stem, nearly 90 degrees in most cases. The male head on five of the pipes have previously thought to represent a military figures or the head of a French soldier. They fall into a group of more elaborate decorative pipes with bowls moulded in the form of human heads and animals, common in the late 19th and early 20th centuries. Such decorative pipes would have been commonly exported and it is believed that all of these pipes represent a vessels cargo.

Six glass gin bottles. 'Case gin' or 'taper gin' bottles have a square cross section that means that packing became more effective than with round bottles. The bodies taper wider towards a sharp shoulder, short neck and a champagne finish. The bottles are olive green in colour, and are in a fair condition despite encrusting towards the neck. This shape and style of bottle originated in and was commonly made in Europe at least as early as the mid-17th century. These examples do not exhibit the bevelled corners generally seen on bottles of the 1860s or later and may therefore be earlier 19th century (https://sha.org/bottle/liquor.htm#CaseGinbottles accessed January 2019).

Find consists of a fragment of a porcelain cup, representing about 1/4 - 1/3 of the total vessel including a complete base bearing a backstamp of BRYONIA U & C. Though only partially surviving, what remains is in fair condition with evidence of slight encrustation around the base. No scale was provided, however, other examples of this pattern and manufacturer have a diameter of c. 75 mm. The U & C inscription refers to Utzschneider & Co, a company based originally in Sarreguemines, North East France. This region was previously part of Alsace-Lorraine and therefore the manufacture of this vessel would have likely have been in Germany. The company name existed between 1800 and 1919 and therefore this vessel likely dates to the later part of this period due to the date the ship from which it was recovered sank. The pattern on the cup is known as Black Mulberry Bryonia Pattern, to which the BRYONIA inscription refers.

MAS-D100205: TOBACCO PIPE
Complete example of a clay tobacco pipe of the bent billiard style, probably dating to the 19th century. Overall length of 80 mm, with the stem being 50 mm in length. The "short stem" is circular in profile at the heel, changing to a hexaganol profile 20 mm from the mouth piece, which bears beading around the aperture. The left hand side of the stem, from the users perspective, bears a cartouche comprising an embossed diamond lozenge in turn enclosing an incised inscription of SQUATTERS OWN. The opposite side of the stem bears an identical lozenge enclosing the incised word SYDNEY. The bowl is approximately 35 mm in height, from base to mouth, with the mouth having an exterior width of 25 mm on the long axis. the shape of the bowl is slightly rounded on the outside, with no evidence of flatenning of the heel. The clay fabric is of an off white or ivory colour with a smooth satin like finish. The inscription "Squatters Own" refers to a series of pipes manufactured solely for the Australian market in England, sometimes also referred to as "Squatters Own Budgaree" or "Squatters Bungaree" (Budgaree/Bungaree is derived from Aboriginal languages, meaning good). Though uncertain, these pipes were probably manufactured in Rainford at the Hill Top Pipe Works, run by David Swallow, though other manufacturers in Scotland and elsewhere in England may have subsequently copied this style (Gojack and Stuart 1999). Examples of these pipes have not been found outside Australia and New Zealand other than at the Rainford works and one unusual example of two fragments recovered in New Jersey (Springate 2010). Examples of these pipes often exhibit narrow bowls with intricate designs, known as effigy pipes, this example has a fuller and larger bowl without an effigy however.

MAS-D100206: BOTTLES
This find comprises of four stoneware bottles with the inscription "A PHILLIPS VICTORIA VI" and one stoneware ink bottle inscribed "BLACKWOODS" bearing a pouring lip. All vessels are constructed in a cream stoneware ceramic with a clear glaze. The four A PHILLIPS bottles are approximately 220 mm in overall height (150 mm from heel to sharply angled shoulder), with an exterior diameter of 80 mm in the body and 30 mm at the finish. The finish is of a type known as an applied finish, from glass bottle construction where an additional strip of glass is applied around the rim of the bottle, in this case this ring was likely to have been part of the mould in which the bottle was manufactured. The body is cylindrical with a sharp angle at the shoulder, with the constriction above the shoulder being straight before curving into the short neck immediately beneath the finish. the vessel in the photo is of good condition with one small chip at the base. The ink bottle is approximately 180 mm in height (120 mm from heel to sharply angled shoulder), with an exterior diameter of 80 mm in the body, 30 mm at the neck and 45 mm at the flared finish and pouring lip. The neck bears two horizontal beaded rings <5 mm thick, approximately 10 mm apart and 15 mm below the flared finish. The body is cylindrical with a sharp angle at the shoulder, with the constriction above the shoulder being slightly concave as is curves into the short neck.The vessel is in moderately good condition, though there is some cracking of the glaze evident and a small amound of encrustation around the base. Dating of these vessels, based on the known operating period of the companies inscribed upon them, is likely after 1858 (A Phillips arrives in Victoria), but prior to 1871 when the patent of Blackwoods bottles and change in form is likely. This is predicated on the vessels being from the same wreck. The A PHILLIPS inscriptions refer to the Pioneer Syrup, Soda & Cider Works established by Alexander Aaron Phillips of Victoria, British Columbia after 1858. Mr Phillips is the first recorded Jewish resident of Victoria (http://www.jmaw.org/phillips-victoria-jewish-bc/ accessed January 2019). The vessels presumably predate the 1881 change of the business name to A Phillips and Son. No record of where these vessels were produced could be found, though given the large quantities of stoneware vessels exported to Canada and the USA from Great Britain in the mid-19th century it is possible these were being exported to Canada for Mr Phillips. The other bottle, though the inscription is only partially visible in photo, appears to be an ink bottle from ink manufacturer Blackwood & Co, London. This company appears to have existed from at least 1851, based on an advertisement in the 4th November 1851 issue of The Times. In 1856 the company patented their design of pouring ink bottle, and again in 1871, with the later examples bearing the words "PATENT SYPHON" immediately below the company name. That this inscription is missing from this vessel, that the patented vessels bear a more pronounced and elongated lip, along with a small hole in the rear of the neck opposite the spout, implies this particular example predates 1871.

Long necked glass bottle in clear or aqua marine glass. Overall height of 210 mm from base to finish, the height of body from base to shoulder being 120 mm. The finish being of the applied style, bearing a ring of glass approximately 15 mm wide over a further ring extending a further 5-10 mm down the neck. The base of the vessels exhibits a slightly concave punt <10 mm deep. In profile the body appears to be of a flattened hexagon shape, approximately 70 mm wide. the largest pane of the hexagonal shape being 45 mm across. The contraction from body to neck is severe, narrowing to 30 mm in only 10 mm of height, the contraction being convex in shape. The exterior of the neck is 30 mm wide at its base, tapering to 20 mm where it meets the finish. the finish being approximately 25 - 30 mm across. The body bears the inscription of C & B embosed near the base of the largest pane of the hexagon. The intended use of the vessel is unclear, being of a fairly unique design, and may relate to medicinal products or possibly the bottling of gin. No exact details of the company or product to which the logo C & B relates can be ascertained at this time. As it was found with mid to late 19th century finds, it implies a probable date of this period. The verall condition is good as the vessel is complete, though there is soe evidence of encrustation along one side of the body.

MAS-D100221: VALVE
One brass stopper and one brass valve. The valve has spherical central body, with three different piped connections conjoining at right angles, each indentical in style; circular and 30 mm long, with a 180 mm approximate diameter. It is wheel-operated, with the wheel shaft thinner than the piped connections at 25 mm, before expanding to a larger shaft with diameter of 65 mm. The condition of the valve is heavily corroded and encrusted with metal growths. The stopper is in a similar condition, although one nut and bolt at its centre appears to be in fair condition.

Bordeaux style bottle manufactured in clear aquamarine coloured glass, though weathering has caused the colours to distort and becom pearlescent towards the base of the vessel. It has a wide and straight neck and is finished in the applied ring or champagne style. The body is cylindrical, with low profile rounded shoulders. The height of the bottle is approximately 230 mm, the diameter of the body 60 mm and the neck 30 mm. Though this bottle is smaller than the more common 300 mm tall, 750 ml wine bottles it is most likely a wine bottle. It's clear colour suggests a dessert or sweet wine, at the very least a vessel for white rather than red wine.

MAS-D100228: VALVE
This copper alloy valve has a spherical central body with three sperate connections. One of the connections has a 25 mm long male thread evident, whilst the remaining two are concealed by concretion. One of the connections is probably a female thread entry and the third of the connections an elbow pipe union. The diameter of the connections is approximately 30 mm. Overall dimensions are approximately 100 mm by 100 mm. The exact purpose of such a valve is not immediately apparent, though it likely relates to the vessels' operation and machinery rather than any cargo. As a coal powered steam vessel it may relate to the steam system employed or, probably more likely, relates to management of water around the vessel.

MAS-D100229: BOWL
Four pieces of hand-decorated tableware. There are two bowls of 75 mm diameter and 55 mm high. The other two pieces are two pearly white plates with 122 mm diameter. They probably belong to the cargo or tableware of the wreck SS Strathclyde that sank in 1876 thereofre can be dated to the end of the 19th century. Any stamps or markings on the base of the tableware would give more inidcation as to the location and date of manufacture.

Three bottles of blown glass. The frst two bottles are torpedo or Hamilton´s type bottle (Hamilton introduced this type of blow molding) from the mid-nineteenth century dedicated to containing carbonated water or 'soda'. Both are light blue/green 'aqua' glass and measure 250 mm long and have a diameter of 75 mm with a 'bottom-weighted' blob finish. The inscription "Aerated Water" "Bombay" makes reference to the content and place of distribution, something that manufacturers of this type of packaging commonly did. The design ensured that the bottles would be stored on their side, keeping the cork in contact with the liquid and thereby preventing it from drying out and allowing the gas to escape. The third of the bottles is a small light blue/green 'aqua' glass container, hexagonal in shape and measuring 75 mm in high by 45 mm in diameter. This would probably be a small ink bottle. This style of bottle was very popular around the middle of the 19th century from around 1835 to 1865 (Covill 1971).

Brown ceramic bottle with a glazed surface. It was intended to contain gin of Dutch origin. The bottle measures 310 mm long and has a diameter of 85 mm with a ring type handle on the neck of the bottle. The bottle is printed with the phrase 'WYNAND FOCKINK' 'AMSTERDAM'. In Amsterdam, Wynand Focknik has been making distinctive hand-crafted liqueurs and jenevers (Dutch gin) since 1679 (Greenberg 2012). In the 17th century, when the Dutch East Indiaman ships brought herbs, spices and sugar to Amsterdam, distillers started distilling liqueurs on a large scale. The city had become very prosperous and liqueur, contrary to beer and genever, was an expensive drink which only the rich could afford to drink on a regular basis. When in 1724 Wynand Fockink acquired the distillery and the bar in the Pijlsteeg dating back to 1679, Amsterdam was still a rich and prosperous city with a thriving liqueur industry. Under Wynand Fockink and his descendants, the liqueur distillery became one of the largest Dutch distilleries. By the end of the 18th century the company owned six large premises on the Oudezijds Voorburgwal and another six in the Pijlsteeg. In the first decade of the 19th century the company expanded through export as well which could explain why these bottles were found on a vessel bound for Bombay. By the 19th century, Wynand Fockink owned trading houses in Berlin, Vienna, Brussels and Paris and between 1815 and 1860, France was one of the largest liqueur customers. The Wynand Fockink distillery in Amsterdam is still open today (http://wynand-fockink.nl/tasting-tavern/history).

MAS-D100232: INK BOTTLE
Four small stoneware cylindrical ceramic inkwells. The ceramic is made of a light brown paste with a salt-glazed surface. The dimensions are 45 mm in diameter by 50 mm high. This type of inkwell was commonly known as a "penny ink" bottle. They were corked, sealed with sealing wax and cost a penny each. They contained writing ink. This type of ink bottle was introduced in the mid-19th century and were superseded by glass bottles by the first decade of the 20th century. Small ink bottles or wells were usually no more than four inches high and did not have a pouring spout like the master bottles as they were intended to be dipped into (Hume 2001). These ink bottles came in two main varieties; very squat cylinders or wide-based cones.

MAS-D100233: UNIDENTIFIED OBJECT
This find appears to be some form of decorative finial manufactured from a non-ferrous metal, possibly a copper alloy. It measures approximately 356 mm in length, 102 mm in width at the base and 127 mm in width at the widest point just below the top of the object. The base appears to be damaged, though clearly separates into three possible legs or feet. Approximately 76 mm from the base it seems to narrow slightly, possibly due to bearing a ring decoration, though this is difficult to ascertain due to the level of encrustation on the object. The shaft of the item extends for a further c. 76 mm before expanding to a Doric column style embellishment of three gradually expanding rings, the uppermost having rounded edges. Above this is an elaborate styled decoration with six radially arranges loops, coming to a point in the centre. The intended use of the object is not evident from the available information and it is not clear whether this was cargo or part of a vessels fittings. Suggested uses include a fire dog or part of a fireplace, decorative finial of some description. In terms of date the style appears to be 19th century or later and, given that it comes from a wreck dating to 1878 this seems most likely.